Harald’s first solo Batty Bwoy is both bleak and playful in its re-appropriation of racist and homophobic stereotypes. By embodying this harmful imagery, they emerge on the other side as a newly ambivalent figure, impossible to grasp.
Batty Bwoy was presented in a spacious white cube setting within the exhibition Blackness, White and Light by New York-based visual artist Adam Pendleton at mumok – Museum of Modern Art Stiftung Ludwig Vienna. The challenging setting created an intense dialogue between the Norwegian-Jamaican performer and Pendleton’s work, leading to huge success with the audience and 2 add-on performances.
Writer Sean Pfeiffer and Harald talk about his inspirations for the piece, the musical collaboration with a Norwegian prog-rock band, and the delicacy of involving an audience directly.